Archive for the ‘Media’ Category

Fewer graphic novels (especially superheroes) this year – almost certainly down to Croydon libraries being a lot poorer in that respect than Lambeth.

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League of Extraordinary Gentlemen: Century 1969

Graphic Novels

  • The Boys Volume 6: The Self-Preservation Society by Garth Ennis
  • The Boys Volume 7: The Innocents by Garth Ennis
  • The Boys Volume 8: Highland Laddie by Garth Ennis
  • The Boys Volume 9: The Big Ride by Garth Ennis
  • Dark Entries by Ian Rankin
  • John Constantine, Hellblazer: Pandemonium by Jamie Delano
  • John Constantine: Hellblazer: Bloody Carnations by Peter Milligan
  • Angel: After the Fall Volume 3 by Brian Lynch and Joss Whedon
  • Angel: After the Fall Volume 4 by Brian Lynch and Joss Whedon
  • Buffy the Vampire Slayer Season Eight Volume 8: Last Gleaming by Joss Whedon
  • League of Extraordinary Gentlemen: Century 1969 by Alan Moore
  • Tom Strong Volume 1 by Alan Moore
  • Eternals by Neil Gaiman
  • Fables Volume 15: Rose Red by Bill Willingham

Elisabeth Sladen: The Autobiography

Doctor Who

  • Doctor Who: Dragon’s Claw by Steve Moore, Steve Parkhouse and Dave Gibbons
  • Doctor Who: The Eyeless by Lance Parkin
  • Doctor Who: The Indestructible Man by Simon Messingham
  • Doctor Who: Wolfsbane by Jacqueline Rayner
  • Elisabeth Sladen: The Autobiography by Elisabeth Sladen
  • Running Through Corridors: Rob and Toby’s Marathon Watch of Doctor Who (Volume 1: The 60s) by Robert Shearman and Toby Hadoke
  • Time, Unincorporated 3: The Doctor Who Fanzine Archives: (Vol. 3: Writings on the New Series) edited by Graeme Burk and Robert Smith?

The Windup Girl

Science Fiction and Fantasy

  • Never the Bride by Paul Magrs
  • Something Borrowed by Paul Magrs
  • Enter Wildthyme by Paul Magrs
  • I Shall Wear Midnight: A Story of Discworld by Terry Pratchett
  • Shades of Grey by Jasper Fforde
  • Transition by Iain Banks
  • Surface Detail by Iain Banks
  • The City and the City by China Mieville
  • Looking for Jake and Other Stories by China Mieville
  • The Windup Girl by Paolo Bacigalupi
  • Rivers of London by Ben Aaronovitch
  • Moon Over Soho by Ben Aaronovitch

Other Fiction

  • Flash for Freedom! by George MacDonald Fraser
  • Flashman and the Mountain of Light by George MacDonald Fraser
  • Flashman and the Redskins by George MacDonald Fraser
  • Flashman at the Charge by George MacDonald Fraser
  • Flashman in the Great Game by George MacDonald Fraser
  • The Fort by Bernard Cornwell
  • The Kingdom of Light by Giulio Leoni

Non-Fiction

  • God Collar by Marcus Brigstocke
  • Map Addict: A Tale of Obsession, Fudge & the Ordnance Survey by Mike Parker
  • Millennium: The End of the World and the Forging of Christendom by Tom Holland
  • Robin Ince’s Bad Book Club: One Man’s Quest to Uncover the Books That Taste Forgot by Robin Ince
  • Seven Million Years: The Story of Human Evolution by Douglas Palmer
  • The Story of English: How the English Language Conquered the World by Philip Gooden

I’m really not sure that the script writers for Season 7 of Rugby World Cup have done a very good job.

They’ve continued the habit from previous seasons of writing out fan favourite characters such as Tonga or Wales before the finale, and have decided that the season finale would be a rematch of the one from season one. So what have they added that’s new?

Well, in terms of character development, previous seasons have hinted towards France’s mental instability but this season the writers flirted with pushing them over the edge into insanity. But then the went and bottled it and failed to follow through on this development in the finale itself.

Deciding the make the England character the focus of multi-media spin-offs rather than a core part of the series itself was an odd way to treat a character with such a large fan base and which had been such an integral part of previous seasons.

The running gag about New Zealand fly halves is in rather poor taste and is just ripping off Spinal Tap anyway. And the gag about no one at all being able to kick straight is rather clumsy attempt on the writers’ part to counter criticism of too much kicking in previous seasons.

The finale itself was a rather scrappy affair, almost as if there wasn’t enough budget left for any spectacular special effects sequences. I can’t tell whether having the teams play in black and white was supposed to be some sort of post-modernist statement or not.

All in all not a classic season, but I kept on watching anyway so they must have done something right. I just hope the writing team has some fresh ideas for Season 8.


'Out of this World' at the British Library

Last Thursday evening I attended the launch of the Out of this World science fiction exhibition at the British Library. I’ve blogged about the exhibition for work.

The launch night was fun in a peculiarly geeky way as I got to play spot the author/critic/BNF. Some people (Kim Newman to give the obvious example) are easy to spot but far too many fall into the general category of middle aged men with greying beards. In fact I could easily have been looking at the crowd at Salute or @media instead.

At the same time that I was listening to China Miéville give a speech to open the show, Lettice was at a different exhibition launch with Cilla Black and Ringo Star. There’s probably something profound in that contrast but I’m really not sure what.


On Friday Lettice and I saw Frankenstein at the National Theatre. As the leads are alternating the roles we saw it with Jonny Lee Miller as Victor Frankenstein and Benedict Cumberbatch as the creature.

This adaptation drops the novel’s framing device and everything leading up to the moment when the creature is shocked into life, hence the play began with ten minutes of naked Benedict Cumberbatch (hello everyone who arrives here from Google because of that phrase, sorry there aren’t any photos here) writhing around on stage as the new born creature. From here onwards the plot whilst streamlined sticks fairly close to the book.

The performances from the two leads are excellent, especially Cumberbatch’s twitchy creature. Miller is slightly less convincing as Victor switches between guilt and arrogance, but holds his own in the set pieces between the two. The supporting cast keep things ticking along nicely with the exception of George Harris as Victor’s father who gives a rather oddly mannered performance.

The set makes full use of the Olivier’s facilities which is nice as the last few plays I’ve seen here have been a little static. There’s a large church bell suspended in the middle of the audience that gets rung, loudly, at various points, guess where we were sitting?

Meanwhile, there was a bit of celeb spotting in the audience: Simon Callow, David Walliams (he was at school a couple of years above me), Graham Norton and someone else who we both recognised but haven’t been able to put a name to. We think he wasn’t Iain Glenn but looks a bit like a slightly younger version of him; any guesses?


Today I went to the new Doctor Who Experience at Olympia. It’s a two part exhibition, starting with an interactive walkthrough and then a more normal array of props and costumes to gawp at.

After being swallowed by a crack in time we’re taken to a museum on Starship UK (crammed full of all sorts of props – I spotted the ‘Schlechter Wolf’ bomb, a life belt from the SS Bernice, Yeti control spheres and a Dalek trooper helmet as well as the headline items pointed out in the dialogue). Whilst in the museum the Doctor contacts us, in specially recorded Matt Smith video clips, and reveals that he’s been trapped in the Pandorica again and needs our help to escape.

The TARDIS materialises and we (or rather any children in the group – once again, little blighters get all the best things) pilot it to the Doctor’s rescue. Until we crash on a Dalek ship. Ooops. Surrounded by new paradigm Daleks ready to exterminate us all. Rescue comes in the unlikely form of some old style Daleks – “The Children of Davros” – which may point at a new Dalek civil war in the forthcoming series.

Out of the frying pan and into the fire as the escape from the Dalek ship takes us through a corridor (lots of corridors in this, which is very appropriate) containing Weeping Angels. Rushing onwards we reach the Pandorica itself and the Doctor does something sonic to teleport himself into the TARDIS. There’s a cool 3D sequence of Daleks, Cybermen and Angels flying at us from the time vortex before the Doctor saves the day.

The second half is more conventional and packed with more goodies than any previous Doctor Who exhibit (certainly more than Earls Court a few years ago or Longleat a lot of years ago) – costumes from all eleven Doctors and all the twenty first century companions. 1980s and 2010 TARDIS exteriors, 1980s and 2005 TARDIS control rooms, six different models of Daleks from 1963 to 2010, three different Sontarans, the Giant Robot, the Face of Boe, and more and more.

It’s not cheap, £20 for adult tickets  and an eye watering £12 for a photo of yourself in the Pandorica chair (I passed on that), but if you’re as much of a Doctor Who fan as me you’ll love every moment of it.


A Dalek you can ride around in? Cool! But too small for anyone but kids? Boo!

Via the Forbidden Planet Blog.

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Last year I said “I think 2010 may be slightly less weighted towards graphic novels”. Whoops.

How many of my 2010 books have you read?

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Read the rest of this very true thing…

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He-Who-Kills from Khurasan Miniatures

It’s been a while since my last dinosaur miniatures roundup, so what’s new and exciting?

15mm is where it’s at. Khurasan Miniatures have continued to expand their Mystri Island range including the very nice T. rex “He-Who-Kills” pictured on the right. Also in 15mm, there are a few new additions to the M.Y.Miniatures Ice Age range. Splintered Light have blogged the greens for some raptors and sabre tooth tigers. Finally, Acheson Creations / Primaeval Designs will also be moving into this scale and have posted some photos of greens to their Facebook and Yahoo! Groups pages.

Speaking of Primaeval they now have a UK distributor in the form of Magister Militum. The prices are high as you would expect for imports but at least you don’t get stung by customs and post office charges on top of that. I picked up a few figures (Plateosaurus, Protoceratops, Feathered Utahraptor, Mastodon and both Megaloceros) from their stands at SELWG and Warfare. Now I just need to review them for Ragnarok and get my painting desk set up (ha ha, fat chance, my computer is still on the floor five months after we moved).

And in related news, the new season of Primeval airs on ITV on New Year’s Day. :-)



  1. Reply to this post and I’ll assign you a letter.
  2. List (and upload, if you feel like it) five songs that start with that letter.
  3. Post them to your journal with these instructions.

[info]ggreig gave me the letter “W”, well he gave me “Z” first but with only eight Z-tracks in my iTunes that would have been somewhat limited so we mutually agreed to go with the second choice.

Argh! That was hard. I had a long list of about 25 and a short list of ten but getting it down to five took all evening.